Book of Five Rings, by Miyamoto Musashi
The Way of the sword is the moral teaching of the samurai, fostered by the Confucianist philosophy which shaped the Tokugawa system, together with the native Shinto religion of Japan. The warrior courts of Japan from the Kamakura period to the Muromachi period encouraged the austre Zen study among the samurai, and Zen went hand in hand with the arts of war. In Zen the are no elaborations, it aims directly at the true nature of things. There are no ceremonies, no teachings: the prize of Zen is essentially personal. Enlightenment in Zen does not mean a change in behavior, but realisation of the nature of ordinary life. The end point is the beginning, and the great virtue is simplicity. The secret teaching of the Itto Ryu school of Kendo, Kiriotoshi, is the first technique of some hundred or so. The teaching is "Ai Uchi", meaning to cut the opponent just as he cuts you. This is the ultimate training... it is lack of anger. It means to treat your enemy as an honoured guest. It also means to abandon your life or throw away fear.
The first technique is the last, the beginner and the master behave in the same way. Knowledge is a full circle. The first of Musashi's chapter headings is Ground, for the basis of Kendo and Zen, and the last book is Void, for that understanding which can only be expressed as nothingness. The teachings of Kendo are like the fierce verbal forays to which the Zen student is subjected. Assailed with doubts and misery, his mind and spirit in a whirl, the student is gradually guided to realisation and understanding by his teacher. The Kendo student practises furiously, thousands of cuts morning and night, learning fierce techniques of horrible war, until eventually sword becomes "no sword", intention becomes "no intention", a spontaneous knowledge of every situation. The first elementary teaching becomes the highest knowledge, and the master still continues to practise this simple training, his everyday prayer.
To learn a Japanese martial art is to learn Zen, and although you can't do so simply by reading a book, it sure does help--especially if that book is The Book of Five Rings. One of Japan's great samurai sword masters penned in decisive, unfaltering terms this certain path to victory, and like Sun Tzu's The Art of War it is applicable not only on the battlefield but also in all forms of competition. Always observant, creating confusion, striking at vulnerabilities--these are some of the basic principles. Going deeper, we find suki, the interval of vulnerability, of indecisiveness, of rest, the briefest but most vital moment to strike. In succinct detail, Miyamoto records ideal postures, blows, and psychological tactics to put the enemy off guard and open the way for attack. Most important of all is Miyamoto's concept of rhythm, how all things are in harmony, and that by working with the rhythm of a situation we can turn it to our advantage with little effort. But like Zen, this requires one task above all else, putting the book down and going out to practice
This is a wonderful book on swordsmanship. It's not about strategy. Strategy is very high level (there are three levels of warfare: strategic, operational, and tactical). This book is about tactics. Strategy is how to win a potential war from a national level; operational refers to how an area commander (e.g. General Schwartzkoff) fights a theater; tactics is how you take a hill or defend your ship.
The first technique is the last, the beginner and the master behave in the same way. Knowledge is a full circle. The first of Musashi's chapter headings is Ground, for the basis of Kendo and Zen, and the last book is Void, for that understanding which can only be expressed as nothingness. The teachings of Kendo are like the fierce verbal forays to which the Zen student is subjected. Assailed with doubts and misery, his mind and spirit in a whirl, the student is gradually guided to realisation and understanding by his teacher. The Kendo student practises furiously, thousands of cuts morning and night, learning fierce techniques of horrible war, until eventually sword becomes "no sword", intention becomes "no intention", a spontaneous knowledge of every situation. The first elementary teaching becomes the highest knowledge, and the master still continues to practise this simple training, his everyday prayer.
To learn a Japanese martial art is to learn Zen, and although you can't do so simply by reading a book, it sure does help--especially if that book is The Book of Five Rings. One of Japan's great samurai sword masters penned in decisive, unfaltering terms this certain path to victory, and like Sun Tzu's The Art of War it is applicable not only on the battlefield but also in all forms of competition. Always observant, creating confusion, striking at vulnerabilities--these are some of the basic principles. Going deeper, we find suki, the interval of vulnerability, of indecisiveness, of rest, the briefest but most vital moment to strike. In succinct detail, Miyamoto records ideal postures, blows, and psychological tactics to put the enemy off guard and open the way for attack. Most important of all is Miyamoto's concept of rhythm, how all things are in harmony, and that by working with the rhythm of a situation we can turn it to our advantage with little effort. But like Zen, this requires one task above all else, putting the book down and going out to practice
This is a wonderful book on swordsmanship. It's not about strategy. Strategy is very high level (there are three levels of warfare: strategic, operational, and tactical). This book is about tactics. Strategy is how to win a potential war from a national level; operational refers to how an area commander (e.g. General Schwartzkoff) fights a theater; tactics is how you take a hill or defend your ship.

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